History and Features of Kaga-Yuzen Dyeing

The history of Kaga Yuzen dyeing dates back 500 years, to when Umezome (plain dyeing) was the distinctive dyeing technique of the Kaga district. In the mid 17th century, pattern and picture dyeing were introduced to produce elegant designs, and those techniques evolved into today’s Kaga Yuzen dyeing technique. In 1712, Yuzensai Miyazaki, a noted designer of fans, came to Kanazawa from Kyoto as a designer and dyer of the Tarodaya dyeing house. With his outstanding skill in dyeing using paste, he contributed greatly to the development of Kaga Yuzen dyeing. Kaga Yuzen dyeing flourished in Kanazawa under the patronage of the feudal lords of the Kaga district, and the city produced many outstanding dyers and designer. Kaga Yuzen uses five basic colors; indigo, crimson, ocher, dark green and royal purple, and the designs depict beautiful elements of nature such as flowers, birds and landscapes. The dyeing style is characterized by the technique of shading from the outside to the inside of the patterns, and by realistic motifs such as plants and flowers with leaves bitten by insects. The fact that techniques such as gold leaf application, tie-dyeing and embroidery are seldom used in Kaga Yuzen dyeing distinguishes it from Kyo-Yuzen (Yuzen dyeing in Kyoto). The designs used in the traditional dyeing technique of Kaga Yuzen highlight the delicacy and elegance of the Japanese spirit.

Outsiding

Outsiding

Insideing

Insideing

Kaga-Yuzen Certificate Stamp

Certificate issued by Kaga Zome Promotion Cooperative Association
It is always attached to Kaga Yuzen kimonos and related articles. The certificate stamps vary in color and design depending on the type of product.

Kaga-Yuzen Certificate Stamp
Kaga-Yuzen Certificate Stamp
Kaga-Yuzen Certificate Stamp
Kaga-Yuzen Certificate Stamp
Kaga-Yuzen Certificate Stamp

Process of Kaga-Yuzen Hand Dyeing

Designing
The process consists of nine main steps, all of which require a high degree of skill. As it takes both time and patience to complete each hand-dyed piece of Kaga Yuzen, the art is highly valued.
Sewing white silk fablic into a Kimono
Copying the design on paper onto the fabric
Undyed fabric is placed on top of a design and lit up from below. The design is traced with the juice of an Asiatic Dayflower called aobana. When the fabric is rinsed in water later on, the aobana color disappears.
Application of rice paste
Paste made from steamed glutinous rice powder is squeezed out of a piping bag onto the thin lines drawn in the previous step. This paste, whose purpose is to prevent dyes from running in the next step, is called itome-nori.
Color application
A variety of colors are applied inside the paste outline with several kinds of brushes. Advanced techniques and a strong sense of color are required.
Steaming
Coating with rice paste
The colored parts are coated with paste so that they can retain their colors when the background is dyed in the next step.
Dyeing of the background
The next step is to dye the background with a brush. It takes concentration, experience and skill to dye it evenly.
Steaming
10Washing
The itome-nori, fuse-nori and excess dye are washed away in running water. Yuzen-nagashi, or the spreading out of dyed fabrics in the clear, cold running water of a river, is one of Kanazawa’s special wintertime attractions.
11Water removal and drying
12Finishing

Process of Kaga-Yuzen Hand Dyeing

Process of Kaga-Yuzen Hand Dyeing

Process of Kaga-Yuzen Hand Dyeing

Process of Kaga-Yuzen Hand Dyeing

Process of Kaga-Yuzen Hand Dyeing

Process of
Itaba Yuzen Dyeing

Itaba Yuzen is a fabric-dyeing technique that involves the use of paper patterns with incised designs. The technique is also called Kata-yuzen or Kaga-komon-zome. The fine, intricate patterns created by means of advanced techniques are popular for their charm and texture, which are different from those of hand-dyed yuzen.

Designing
Pattern forming
Placing white cloth on the plate
Color matching
Pattern matching
Application of rice paste
Dyeing of the background
Steaming
Washing
10Water removal and drying
11Finishing

板場友禅の制作工程

板場友禅の制作工程

Great masters who have contributed to making
Kaga-Yuzen what it is today

The works exhibited are by some of the great masters of Kaga Yuzen such as Kimura Uzan, who has been designated as a living national treasure.

Uzan Kimura

Uzan Kimura

[1891-1977]

Eiji Dangisyo

Eiji Dangisyo

[1899-1974]

Kouyou Nogawa

Kouyou Nogawa

[1900-1996]

Tomoo Naritake

Tomoo Naritake

[1903-1991]

Jinrou Maida

Jinrou Maida

[1906-1993]

Shin Kajiyama

Shin Kajiyama

[1908-1997]

First generation Toku Yuusui

First generation Toku Yuusui

[1913-1988]

Hiroshi Mizuno

Hiroshi Mizuno

[1918-1979]

Hiroshi Yata

Hiroshi Yata

[1919-1986]